Arts works on paper
Artworks on paper by Sebastian Moreno Coronel may include original works in media such as watercolours, inks, and acrylic.
There are many other original works still available for sale to collectors and art lovers, and you will find them searching in the general catalog or in the specific categories by theme, measure or technique.
Prices can be negotiated, especially if you buy several works at the same time.
You can also pay for a work in the terms you decide and receive it when you have completed the amount of the listed price.
The prices include shipping costs worldwide.
If you are interested in any work in the galleries and you do not know if it is available and its price, please contact me.
The art works listed are ready to be reproduced in fine art giclee prints.
Homoerotic Art
Male Nudes
Gay Art Paintings
Sebastian moreno Art
Fine Art Collectors welcome
Artworks on paper should be matted and framed for display.
Matting and Framing
Artworks should be matted and framed for display.
Matting
The mat is an enclosure made up of a window mat hinged to a backing board. The mat supports, protects and isolates the artwork. The frame (with glazing) provides protection from physical damage, dirt, dust, smoke and accidental spatters.
Poor quality matting and framing is a major risk to artworks. For long-term protection, matting and framing should be done to "conservation", 'archival' or "museum" standards. This means the artwork is attached to the backing board in a safe and appropriate manner, and the materials used are of good quality and will not cause damage to the artwork over time. Not all commercial framers provide this type of service. Note that the materials required are more expensive and the work takes extra time and care.
The matboard used should be acid-free and alkaline-buffered. Artworks should be attached to the backing board with paper hinges or corners, never glued directly onto a cardboard backing. Neither should the window mat be adhered directly to the artwork.
Framing
The frame should be larger than the artwork to allow for expansion and contraction of the paper with changes in humidity. There should be no direct contact between the artwork and the inside of the glass. The window mat, or alternatively a spacer incorporated into the frame, will stop the artwork from touching the glass.
Frames can be fitted with glass or Perspex. Perspex is unbreakable but does scratch quite easily. It is also more expensive than glass. Artworks with loose, powdery media should be framed with glass as Perspex has a static charge that may attract media particles away from the paper.
Cleaning framed artworks
Never spray the cleaning solution directly onto the glass of a framed picture. It can run between the frame and glass, be absorbed by the paper and cause staining. Spray the cleaner onto a cloth, then wipe the glass.
Display
Exposure to light can cause discolouration and brittleness in paper and fading of media. Watercolour, gouache and dye-based media such as felt pen and coloured inks are particularly light-sensitive.
To protect your artworks:
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Keep lighting to a minimum
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Tungsten light bulbs provide a less damaging type of light than fluorescent or natural light sources.
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Do not use frames with clip-on light fixtures. These create 'hot spots' which can dry out the paper.
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Do not display pictures near sources of heat or moisture.
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Avoid hanging artworks on external walls (as these can be damp) or above the fireplace.
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Use closed hangers or crimp the hanging hook closed to help prevent the artwork from falling in an earthquake.
Dust frames regularly. Check the backs of framed pictures periodically for dirt, dust, signs of mould or insect activity, and to ensure that hangers and hardware are secure.